{"id":79989,"date":"2023-03-10T09:33:34","date_gmt":"2023-03-10T08:33:34","guid":{"rendered":"https:\/\/www.royaumont.com\/evenement\/concert-meeting-from-the-middle-ages-to-the-belle-epoque\/"},"modified":"2023-03-10T09:33:34","modified_gmt":"2023-03-10T08:33:34","slug":"concert-meeting-from-the-middle-ages-to-the-belle-epoque","status":"publish","type":"event","link":"https:\/\/www.royaumont.com\/en\/evenement\/concert-meeting-from-the-middle-ages-to-the-belle-epoque\/","title":{"rendered":"Concert-meeting: from the Middle Ages to the Belle Epoque"},"content":{"rendered":"<p class=\"is-style-chapeau\"><strong>Dialogue set<\/strong> <br><strong>Katarina Livljani&#263;<\/strong> soprano<br><strong>Danijel Detoni<\/strong> piano  <\/p><p class=\"is-style-focus\">The taste for medieval music comes back regularly, in waves. After Viollet-le-Duc restored Notre-Dame and Victor Hugo dedicated a novel to it, this repertoire experienced a new craze during the Belle Epoque.  <br>Erik Satie wrote pieces such as <em>Chanson m&eacute;di&eacute;vale<\/em>. The singer Yvette Guilbert, immortalized in black gloves on Toulouse-Lautrec&rsquo;s posters, interpreted tunes from those distant times in caf&eacute;s-concerts.  <br>Doctor in musicology, specialist in medieval liturgical music, Katarina Livljani&#263; is amused by this mixture of genres. With her pianist, she mixes authentic pieces from the past with more modern inventions, delighting in the finesse and humor of the latter. His commented tour de chant invites us not to take ourselves too seriously and to accept that our relationship with the past sometimes resembles, to use a delightful expression by Satie, the &ldquo;memories of an amnesiac&rdquo;.<\/p><h4 class=\"wp-block-heading\">Biographies<\/h4><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h5 id=\"at-791380\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Ensemble Dialogos<\/h5><div id=\"ac-791380\" class=\"c-accordion__content\">\n<p class=\"has-small-font-size\"><em>*<\/em>  2011: Training Singing in Slavonic and Latin &ndash; liturgical music in medieval Croatia; 2011\/2012: creative residency &ldquo;Funerary steles in Bosnia&rdquo;; 2013: residency and creation Winschester; 2014: &ldquo;A day in the life of a cantor at the time of St. Louis, Parisian polyphonies XIII and Office of St. Louis&rdquo;; &ldquo;Speculum Majus&rdquo;.  <em>2022: Training in medieval vocal practice &ldquo;Musical walk between Venice and Dubrovnik (XIII-XVIth c.)&rdquo;; commented concert on medieval singing<\/em><\/p>\n\n\n\n\n<p>Directed by Katarina Livljani&#263;, singer and musicologist, professor at the Schola Cantorum in Basel, the Dialogos ensemble revives the oral and musical traditions of Europe, from the Middle Ages to the present day, with a particular interest in the South Slavic world, based on medieval sources, between plainsong, traditional melodies and polyphonies. Dialogos has been invited to the festivals of Boston, Utrecht, Vancouver, Dubrovnik, Lincoln Center, Metropolitan Museum in New York, Cit&eacute; de la musique in Paris&hellip; His recordings have received numerous distinctions (Diapason d&rsquo;Or, Coup de coeur de l&rsquo;Acad&eacute;mie Charles Cros).<\/p>\n\n\n\n\n<p class=\"has-small-font-size\"><em>* previous collaborations with Royaumont<\/em><\/p>\n\n<\/div><\/div><div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h4 class=\"wp-block-heading\">Les <em>Dimanches &agrave; Royaumont<\/em><\/h4><p>Profitez de votre visite de Royaumont et de ses jardins ou de votre nuit &agrave; l&rsquo;abbaye pour assister, le dimanche, <strong>sans suppl&eacute;ment de prix<\/strong>, &agrave; des spectacles et des rencontres autour de la musique, de l&rsquo;histoire, de l&rsquo;architecture de la nature ou de la danse. <br><\/p><p class=\"has-small-font-size\">Ev&egrave;nements <strong>inclus dans le billet d&rsquo;entr&eacute;e au monument<\/strong>, dans la limite des places disponibles. <br>R&eacute;servation recommand&eacute;e<\/p>","protected":false},"excerpt":{"rendered":"<p>Singer Katarina Livljani\u0107 and pianist Danijel Detoni recall the happy times when Erik Satie and musicians in Parisian caf\u00e9s-concerts reinvented medieval songs.<\/p>\n","protected":false},"author":15,"featured_media":79141,"template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"genre":[],"class_list":["post-79989","event","type-event","status-publish","has-post-thumbnail","hentry"],"short_title":"Concert-meeting: from the Middle Ages to the Belle Epoque","subtitle_1":"Cycle [les cl\u00e9s du classique]","subtitle_2":"","ticketing_link":null,"literal_date":"Sunday, May 7, 2023","upcoming_date":null,"upcoming_time":null,"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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