{"id":83758,"date":"2023-07-21T15:43:21","date_gmt":"2023-07-21T13:43:21","guid":{"rendered":"https:\/\/www.royaumont.com\/improvement-of-medieval-vocal-practice\/"},"modified":"2024-09-02T10:05:03","modified_gmt":"2024-09-02T08:05:03","slug":"improvement-of-medieval-vocal-practice-2","status":"publish","type":"page","link":"https:\/\/www.royaumont.com\/en\/the-cultural-project\/training-courses\/voices-and-repertoire-training\/improvement-of-medieval-vocal-practice-2\/","title":{"rendered":"Improvement of medieval vocal practice"},"content":{"rendered":"

Around the Codex Ivrea <\/h3>
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Pricing conditions<\/a><\/div>\n\n\n\n\n
Register<\/a><\/div>\n\n\n\n\n
Inner rules<\/a><\/div>\n\n<\/div>
<\/div>
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CGV<\/a><\/div>\n\n\n\n\n
CGu<\/a><\/div>\n\n\n\n\n
Welcome book<\/a><\/div>\n\n<\/div>

Presentation<\/h2>

The Codex Ivrea (Ivrea, Piedmont, northern Italy, Biblioteca Capitolare<\/em>, 115) is one of the most important Ars Nova manuscripts, copied during the second half of the 14th<\/sup> century. It contains over 80 pieces of French vocal music, including motets, rondeaux, ballades, virelais and excerpts from the Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus). The Codex was conceived as an object for musical practice: it has come down to us in very worn condition, containing annotations on modality, on “conjointes” (musica ficta<\/em>), with numerous corrections that provide valuable insights into the difficulties encountered by singers in contact with this repertoire.<\/p>

The Royaumont Foundation’s professional training program will examine this manuscript in the light of the historical practices described in the medieval treatises (notation, solmization, counterpoint, ornamentation), as they can be rediscovered today thanks to the help of the Royaumont Foundation. digital humanities<\/em>by comparing them with a living oral tradition, the music of North India, around parallel themes: modes of transmission, repertoires, improvisation, modality, pole notes, melodic motifs, vocal agility, ornamentation, intonation, rhythm and notation.<\/p>

Teachers<\/h2>

David Chappuis<\/strong> conductor, orchestra and choir
Chloé Loneiriant<\/strong>, singer, flautist<\/p>

Biographies<\/h3>
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David Chappuis, orchestra and choir conductor<\/h4>\n\n\n\n\n

* 2019-2020: research seminar on Philippe de Vitry. 2020: Chanter l’ars nova français training course. 2022-2023: Arborescence ensemble residency on Philippe de Vitry’s Motets.<\/em><\/p>\n\n\n\n\n

A specialist in medieval and contemporary music, David Chappuis founded Le Miroir de<\/em> Musique in 2004. With this ensemble, he carries out a fundamental work of returning to the sources and putting into practice historical practices (notation, solmization, counterpoint, ornamentation, declamation) around the French vocal music repertoires of the 13th<\/sup> and 14th<\/sup> centuries. This work led to two applied research projects at the Haute école de musique de Genève, in collaboration with the Fondation Royaumont: “Interpréter la musique polyphonique entre Ars antiqua <\/em>and Ars nova<\/em> ” and “Chanter les motets de Philippe de Vitry”, as well as the creation and direction of the ensemble Arborescence<\/em><\/p>\n\n\n\n\n

David Chappuis divides his time between composition, performance, research and teaching (HEM Geneva and CNSMD Lyon).<\/p>\n\n\n\n\n


Chloé Loneiriant, singer, flautist<\/h4>\n\n\n\n\n

Of the 7 years Chloé Loneiriant spent in India, she trained on the Bansuri flute with the legendary Hariprasad Chaurasia for 5 years, residing in his traditional school with him. She holds a Master’s degree in Hindustani bansuri music. She also trained in Khayal singing with Tulika Gosh, obtaining a diploma in Hindustani singing from the University of Mumbai. Chloé holds a Bachelor’s degree in classical flute from Montreal, and has performed with numerous international ensembles throughout India and Canada. Since September 2022, she has been teaching Indian instrumental music and Hindustani singing at Montpellier’s Cité des Arts-Conservatoire à Rayonnement Régional.<\/p>\n\n\n\n\n

* previous collaborations with Royaumont<\/p>\n\n<\/div><\/div>

Recipients<\/h2>