{"id":93911,"date":"2024-10-31T14:33:07","date_gmt":"2024-10-31T13:33:07","guid":{"rendered":"https:\/\/www.royaumont.com\/professional-training\/academie-voix-nouvelles\/"},"modified":"2025-10-24T15:02:30","modified_gmt":"2025-10-24T13:02:30","slug":"academie-voix-nouvelles","status":"publish","type":"page","link":"https:\/\/www.royaumont.com\/en\/the-cultural-project\/training-courses\/academie-voix-nouvelles\/","title":{"rendered":"Campus 2026: Voix Nouvelles campus"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Composing and playing with roots<\/h2><h3 class=\"wp-block-heading\">For composers and performers<\/h3><div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/forms.gle\/X8rG9hJACYq2WJXc9\" style=\"border-radius:100px\" target=\"_blank\" rel=\"noreferrer noopener\">apply<\/a><\/div>\n\n<\/div><div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><div class=\"wp-block-buttons is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-499968f5 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.royaumont.com\/content\/uploads\/2021\/12\/reglement-interieur-2024-recadre.pdf\" style=\"border-radius:50px\" target=\"_blank\" rel=\"noreferrer noopener\">Internal regulations<\/a><\/div>\n\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.royaumont.com\/content\/uploads\/2021\/12\/C3-I-2-LIVRET-DACCUEIL-Fondation-Royaumont-Nouvelle-version.pdf\" style=\"border-radius:50px\" target=\"_blank\" rel=\"noreferrer noopener\">welcome booklet<\/a><\/div>\n\n<\/div><div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><div class=\"wp-block-buttons is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-499968f5 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-ryt-grey-background-color has-background wp-element-button\" href=\"https:\/\/www.royaumont.com\/centre-pour-les-artistes\/les-formations-professionnelles\/pole-voix-et-repertoire\/conditions-tarifaires\/\" style=\"border-radius:50px\" target=\"_blank\" rel=\"noreferrer noopener\">Pricing conditions<\/a><\/div>\n\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-ryt-grey-background-color has-background wp-element-button\" href=\"https:\/\/www.royaumont.com\/content\/uploads\/2021\/12\/CGV_Fondation-Royaumont-2025.pdf\" style=\"border-radius:50px\" target=\"_blank\" rel=\"noreferrer noopener\">General terms and conditions<\/a><\/div>\n\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-ryt-grey-background-color has-background wp-element-button\" href=\"https:\/\/www.royaumont.com\/content\/uploads\/2021\/12\/C3-I-9-CGU-Fondation-Royaumont.pdf\" style=\"border-radius:50px\" target=\"_blank\" rel=\"noreferrer noopener\">Conditions of use<\/a><\/div>\n\n<\/div><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\">Period<\/h3><p class=\"has-large-font-size\">August 14 to 28, 2026<\/p><p><a href=\"#duree\">August 14 to 28, 2026 (composers) | August 20 to 28, 2026 (performers)<\/a><\/p><h3 class=\"wp-block-heading\">Presentation <\/h3><p class=\"has-large-font-size\">Campus Voix Nouvelles offers a unique opportunity for composers and performers to progress with recognized professionals.<\/p><p class=\"has-large-font-size\"><strong>For composers<\/strong>, it recreates the entire process of creating a new work, under professional conditions: writing, rehearsals, public performance, under the supervision of internationally renowned composers of diverse aesthetics.<\/p><p class=\"has-large-font-size\">It brings in the best ensembles and soloists to rehearse and perform the works, which are then performed in public and recorded. What&rsquo;s more, it gives us the opportunity to collaborate with exceptional musicians, who cultivate a veritable force of proposal in the development of the work in progress. <\/p><p class=\"has-large-font-size\"><a>At<\/a> the end of the training program, the Royaumont Foundation continues to support the composers taking part in the <a href=\"https:\/\/www.royaumont.com\/en\/the-cultural-project\/professional-training\/\">Campus <\/a>by awarding commissions for new works to be performed at the <a href=\"https:\/\/www.royaumont.com\/concerts-et-spectacles\/\" target=\"_blank\" rel=\"noreferrer noopener\">Saison Royaumont<\/a> or in the programming of partners, ensembles or professional soloists.<\/p><p class=\"has-large-font-size\"><strong>Performers<\/strong> benefit from the advice of musicians experienced in contemporary repertoire and interaction with composers, in the form of individual lessons, rehearsals of chamber music repertoire or solo works. The performers are formed into an ensemble, the &ldquo;Ensemble Voix Nouvelles&rdquo;, which will work on a specific repertoire, drawing on the work of the Campus tutors, but will also be called upon to contribute to the creation of the composer participants, alongside the ensembles and professional performers present.<\/p><h3 class=\"wp-block-heading\">The 2026 edition of Campus Voix Nouvelles<\/h3><p class=\"has-large-font-size\"><strong>In 2026, Campus Voix Nouvelles places the question of identity at the heart of the creative process.<\/strong> Under the theme <strong>&ldquo;Composing and playing with one&rsquo;s roots&rdquo;,<\/strong> this new edition invites composers and performers to explore what, in their origins, history or culture, irrigates their sonic imagination. How does individual or collective memory shape contemporary musical writing? What gestures, languages, sonorities, techniques or ways of playing an instrument are born of a conscious dialogue with one&rsquo;s roots?  <\/p><p class=\"has-large-font-size\">Campus Voix Nouvelles becomes a place of transmission, creation and exchange. Under the guidance of composer <strong>Zad Moultaka<\/strong> (Lebanon) and composer <strong>Farnaz Modarresifar<\/strong> (Iran) &ndash; the latter also playing the <em>santour<\/em>, a traditional Persian instrument &ndash; participants will be accompanied in the composition of new works based on this theme. <\/p><p class=\"has-large-font-size\">This reflection will unfold with the help of exceptional forces. The prestigious <strong>International Contemporary Ensemble<\/strong> (ICE, New York), renowned for its commitment to contemporary creation and intercultural dialogue, will be the resident ensemble. Alongside them, American soprano <strong>Marisol Montalvo<\/strong>, American conductor of Zimbabwean origin <strong>Vimbayi Kaziboni<\/strong>, koto player <strong>Naoko Kikuchi<\/strong> (Japan) and santur player <strong>Farnaz Modarresifar<\/strong> (Iran) will open up new avenues of collaboration, transmission and inspiration.  <\/p><p class=\"has-large-font-size\">Campus Voix Nouvelles offers a framework for intensive work: individual courses, group workshops, critical exchanges, rehearsals and live performance. Through voice, instrument, improvisation, sound or silence, each composer and performer is invited to <strong>develop a unique voice, nourished by what connects him or her to the world<\/strong>. <\/p><p class=\"has-large-font-size\">Campus Voix Nouvelles is part of the 2026 Summer Campus, bringing together other training courses taking place at the same time. Common sessions will be organized for all participants, such as physical practice sessions (e.g. munz floor), conferences, debates or interventions in specific areas of personal or career development. <\/p><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\">Teachers<\/h3><h4 class=\"wp-block-heading\">Composition<\/h4><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-939110\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Zad Moultaka<\/strong> compositeur, plasticien (Liban, 1967)<br><\/button><div id=\"ac-939110\" class=\"c-accordion__content\">\n<p>Born in Lebanon in 1967, Zad Moultaka began playing the piano and painting at the age of five. After studying at the Beirut National Conservatory, he moved to Paris in 1984, winning two first prizes (piano and chamber music) at the CNSMDP in 1989. After a career as a classical soloist, he gave up the stage in 1993 to devote himself to composition and the visual arts. His work, deeply rooted in Mediterranean and Eastern tradition, dialogues with Western forms without compromise. He collaborates with prestigious institutions (IRCAM, Op&eacute;ra du Rhin, Venice Biennale, Ensemble Modern&hellip;), and mixes opera, chamber music, visual and plastic installations. His honors include the Prix Claude-Arrieu (SACEM), the Prix de la Critique Musicale (2017) for the work <em>UM<\/em>, and exhibitions in New York, Metz, Paris and Beirut. In 2025, he published<em> Strates et<\/em><strong>palimpsestes<\/strong>, a work analyzing his creation.      <\/p>\n\n\n\n\n<p><a href=\"https:\/\/zadmoultaka.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">zadmoultaka.com<\/a><\/p>\n\n<\/div><\/div><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\" id=\"farnaz\"><button id=\"at-939111\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Farnaz Modarresifar<\/strong> compositrice, santouriste, improvisatrice (Iran, 1989)<br><\/button><div id=\"ac-939111\" class=\"c-accordion__content\">\n<p>Farnaz Modarresifar (b. 1989, Tehran) is a Franco-Iranian composer, poet and santurist. A graduate of the Conservatoire National Sup&eacute;rieur de T&eacute;h&eacute;ran (first prize in santour, 2012), she perfected her composition training at the CRR de Boulogne-Billancourt and the &Eacute;cole Normale de Musique de Paris-Alfred Cortot (first prizes, 2014-2018). In 2020, she obtained a Master&rsquo;s degree in improvisation and musical creation at Paris 8 University. Winner of the Grand Prix Lyc&eacute;en des Compositeurs 2023 and the Prix Claude Arrieu (SACEM) in 2024, she evolves at the intersection of Western classical music, Persian traditions and sound poetry. Her artistic practice combines contemporary writing, improvisation and poetic expression, the material of her performances and compositions &ndash; often meditative, organic, attentive to Persian heritage yet flirting with the avant-garde. Based in Paris, she participates in festivals such as Archipel 2025 and publishes regularly via Ircam and Artchipel.       <\/p>\n\n\n\n\n<p><a href=\"https:\/\/www.farnazmodarresifar.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">farnazmodarresifar.com<\/a><\/p>\n\n<\/div><\/div><h4 class=\"wp-block-heading\">Interpretation<\/h4><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-939112\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>International Contemporary Ensemble<\/strong><br>(fl&ucirc;te, saxophone, cor, violon, violoncelle, guitare &eacute;lectrique, percussion)<br><\/button><div id=\"ac-939112\" class=\"c-accordion__content\">\n<p>Founded in Chicago in 2001 by flutist Claire Chase, the New York-based International Contemporary Ensemble (ICE) is a musical collective of around thirty-four artists (strings, winds, piano, percussion, voice, technology&hellip;). It has premiered over 1,000 works, including more than 500 original commissions, with prizewinners including Aperghis, Alvin Lucier, John Zorn, David Lang, George Lewis and Du Yun. ICE is the winner of the Chamber Music America\/ASCAP awards for adventurous programming, Musical America&rsquo;s Ensemble of the Year, and is recognized as &ldquo;America&rsquo;s foremost new-music group&rdquo; by The New Yorker. It develops innovative collaborative models (notably ICElab, 75 works in 285 concerts), blending art, multimedia, education and musical citizenship. Today, under the artistic direction of George Lewis, ICE acts as a driving force for contemporary sound creation, between transmission and experimentation.    <\/p>\n\n\n\n\n<p><a href=\"https:\/\/iceorg.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">iceorg.org<\/a><\/p>\n\n<\/div><\/div><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-939113\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Marisol Montalvo<\/strong> chant<\/button><div id=\"ac-939113\" class=\"c-accordion__content\">\n<p>Born in 1976 on Long Island, Marisol Montalvo is an American soprano of Puerto Rican descent, with degrees from Mannes College and Zurich. She made a name for herself in the contemporary repertoire, most notably in the title role of Berg&rsquo;s **Lulu**, at its Paris Op&eacute;ra premiere, hailed by *Le Monde* for her &ldquo;intensity and stage presence&rdquo;. She went on to play Lulu on major stages (Berlin, Vienna, Toulouse, Basel&hellip;). She collaborates with conductor Christoph Eschenbach, with whom she made her Carnegie Hall debut, and performs with renowned orchestras: Vienna Philharmonic, Houston Symphony, Orchestre de Paris, London Philharmonic, Munich Philharmonic&hellip; Her repertoire oscillates between contemporary and demanding lyricism, and she is a regular guest at international festivals and opera houses.   <\/p>\n\n\n\n\n<p><a href=\"https:\/\/marisolmontalvo.com\/en\/about-me\/\" target=\"_blank\" rel=\"noreferrer noopener\">marisolmontalvo.com<\/a><\/p>\n\n<\/div><\/div><p><a href=\"#farnaz\"><strong>Farnaz Modarresifar <\/strong>santour<\/a><\/p><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-939114\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Naoko Kikuchi<\/strong> koto<br><\/button><div id=\"ac-939114\" class=\"c-accordion__content\">\n<p>Originally from Sendai (Japan), Naoko Kikuchi discovered koto through her mother and grandmother. In 1989, she studied with masters Tadao and Kazue Sawai, and went on to win prizes in several competitions. As a student at Sophia University in Tokyo, she took part in a world tour (Europe, Americas) with the Sawai Kazue Ensemble. In 2007, she was awarded a Japanese government scholarship to continue her studies in Frankfurt, becoming a member of the International Ensemble Modern Academy. Her repertoire covers both traditional and contemporary koto music, and she stands out for her virtuosity, her ability to navigate between meditative melodies and modern incarnations, creating &ldquo;timeless moments&rdquo;. She performs regularly in international concerts and recordings.     <\/p>\n\n\n\n\n<p><a href=\"https:\/\/naokokikuchi.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">naokokikuchi.com<\/a><\/p>\n\n<\/div><\/div><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><button id=\"at-939115\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Vimbayi Kaziboni <\/strong>direction<br><\/button><div id=\"ac-939115\" class=\"c-accordion__content\">\n<p>Born in Zimbabwe in 1988, Vimbayi Kaziboni is a conductor and curator internationally acclaimed for his &ldquo;great intensity, without distancing&rdquo; (*Neue Musikzeitung*). He directs institutions such as the Boston Lyric Opera, and is artist-in-residence at ICE. Professor of Orchestral Studies and Contemporary Music at the Boston Conservatory, he studied in Germany and was awarded a Fulbright scholarship to Uzbekistan. In 2024, he received the prestigious Ditson Conductor&rsquo;s Award. His career includes concerts at Carnegie Hall, Walt Disney Hall, Philharmonie de Paris, Elbphilharmonie, Concertgebouw, Lincoln Center, and tours of Europe, Asia and the Americas. His practice combines expressiveness, contemporary rigor and inventive programming, opening up new dialogues between repertoire, tradition and creation.     <\/p>\n\n\n\n\n<p><a href=\"https:\/\/www.vimbayikaziboni.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">vimbayikaziboni.com<\/a><\/p>\n\n<\/div><\/div><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\"><button id=\"at-939117\" class=\"c-accordion__title js-accordion-controller c-accordion__title--button\" role=\"button\"><strong>Ilan Volkov<\/strong> direction<\/button><div id=\"ac-939117\" class=\"c-accordion__content\">\n<p>Ilan Volkov is an Israeli conductor born in 1976 in Tel Aviv. Trained at the Royal Academy of Music in London, he distinguished himself early on through his musical curiosity and passion for contemporary creation. At 19, he became assistant conductor of the Boston Symphony Orchestra, later serving as music director of the Iceland Symphony Orchestra (2003&ndash;2011), where he championed bold programming that blended 20th-century classics with new works. A regular guest with leading European ensembles &mdash; including the BBC Scottish Symphony Orchestra, Philharmonia, and Ensemble Intercontemporain &mdash; Volkov is acclaimed for his precision, energy, and stylistic openness. He also founded&nbsp;<em>Tectonics<\/em>, an international festival devoted to sonic experimentation and dialogue between composed and improvised music. A visionary conductor, Ilan Volkov stands as a key figure in today&rsquo;s contemporary music scene.<\/p>\n\n<\/div><\/div><hr class=\"wp-block-separator has-alpha-channel-opacity\"><div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"#modalitescompo\" style=\"border-radius:100px\">terms and conditions of the composers&rsquo; course<\/a><\/div>\n\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"#modalitesinter\" style=\"border-radius:100px\">terms and conditions of the interpreters&rsquo; course<\/a><\/div>\n\n<\/div><div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\" id=\"modalitescompo\">Modalities of the composers&rsquo; course<\/h3><h4 class=\"wp-block-heading\">August 14 to 28, 2026<\/h4><div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Target audience<\/h5>\n\n\n\n\n<p><strong>10 composers<\/strong><\/p>\n\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Procedure<\/strong> and method<\/h5>\n\n\n\n\n<p>&gt; upstream :<\/p>\n\n\n\n\n<p><strong>For composers and performers: <\/strong>videoconference sessions (1h\/1h30) will be organized on a regular basis between November 2025 and July 2026. The purpose of these sessions will be to understand, design and develop the overall form of the final work presented at the end of the Campus Voix Nouvelles; these sessions will take place in the alternating presence of the trainers.   <\/p>\n\n\n\n\n<p><strong>For<\/strong><strong>composers <\/strong><strong>:<\/strong> individual lessons with the composer&rsquo;s supervisor take place by videoconference, between the announcement of the selection and the Campus Voix Nouvelles on site. Composers submit their work in stages, according to the schedule detailed below. <\/p>\n\n\n\n\n<p>&gt; on site :<\/p>\n\n\n\n\n<p><strong>For composers :<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li><a>August 14 to 16, 2026: group sessions with Farnaz Modarresifar and Zad Moultaka \/ individual sessions with Farnaz Modarresifar and Zad Moultaka (score editing, 1 hour per composer)<\/a><\/li>\n\n\n\n\n<li>August 17 and 18, 2026: individual presentations by composers (background, artistic approach, work(s))<\/li>\n\n\n\n\n<li>August 19, 2026: rest<\/li>\n\n\n\n\n<li>August 20, 2026: conferences \/ workshops (in progress)<\/li>\n\n\n\n\n<li>August 21, 2026: conferences \/ workshops (in progress)<\/li>\n\n\n\n\n<li>August 22, 2026: rest<\/li>\n\n\n\n\n<li>August 23 to 26, 2026: rehearsals (2 x 2 hours per work)<\/li>\n\n\n\n\n<li>August 27, 2026: final return of works of art<\/li>\n\n\n\n\n<li>August 28, 2026: final public renditions of the works<\/li>\n\n<\/ul>\n\n\n\n\n<h5 class=\"wp-block-heading\">Schedule: vocal and instrumental forces<\/h5>\n\n\n\n\n<p>The following training courses are available for writing pieces.<\/p>\n\n\n\n\n<p>Each candidate must indicate a choice of three preferred courses, which will be respected as far as possible. This information is essential for processing the application: <strong>if it is missing, the application will be considered invalid<\/strong>.<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Formation 1: soprano, flutes, saxophones, horn, violin, cello, electric guitar, santoor, percussion<\/li>\n\n\n\n\n<li>Formation 2: koto, flutes, saxophones, horn, violin, cello, electric guitar, percussion<\/li>\n\n\n\n\n<li>Formation 3: soprano, flutes, electric guitar, santoor, violin, cello<\/li>\n\n\n\n\n<li>Formation 4: soprano, koto, santour, percussion<\/li>\n\n\n\n\n<li>Formation 5: violin, cello, horn, santoor<\/li>\n\n\n\n\n<li>Formation 6: koto, horn<\/li>\n\n\n\n\n<li>Formation 7: flute, saxophones, koto<\/li>\n\n\n\n\n<li>Formation 8: saxophones, electric guitar, percussion<\/li>\n\n<\/ul>\n\n\n\n\n<p>Marisol Montalvo: soprano<br>Ensemble ICE: flutes, saxophones, horn, electric guitar, violin, cello, percussion<br>Farnaz Modarresifar: santur<br>Naoko Kikuchi: koto <br>Details of understudies and percussion will be provided at a later date.<\/p>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Method: score delivery schedule<\/h5>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>60% of the score on April<sup>1,<\/sup> 2026<\/li>\n\n\n\n\n<li>80% of the score on June<sup>1<\/sup>, 2026, with a note in English and French about the work (1200 characters including spaces)<\/li>\n\n\n\n\n<li>100% of the score on July<sup>1,<\/sup> 2026<\/li>\n\n<\/ul>\n\n\n\n\n<h5 class=\"wp-block-heading\">Prerequisites and conditions of access to training<\/h5>\n\n\n\n\n<p>Be an artist in the field of music: a composer with professional or pre-professional experience.<\/p>\n\n\n\n\n<p>Participants formally undertake to complete the entire course.<\/p>\n\n\n\n\n<h5 class=\"wp-block-heading\" id=\"duree\">Duration<\/h5>\n\n\n\n\n<p>from August 14 to 28, 2026, including 2 days off, for a total of 13 days (91 hours)<\/p>\n\n\n\n\n<h5 class=\"wp-block-heading\">Rates<\/h5>\n\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.royaumont.com\/en\/the-cultural-project\/professional-training\/pricing-conditions\/\">new voices training fees<\/a><\/div>\n\n<\/div>\n\n\n\n\n<h5 class=\"wp-block-heading\">Application<\/h5>\n\n\n\n\n<p>Pre-selection based on applications, then invitation to interview (week of November 3)<\/p>\n\n\n\n\n<p>Documents to be provided :<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Biography, 600 characters including spaces, in French and English<\/li>\n\n\n\n\n<li>CV<\/li>\n\n\n\n\n<li>Cover letter: highlighting skills and qualities, reasons for wanting to take part in Campus Voix Nouvelles, short ideas about the project.<\/li>\n\n<\/ul>\n\n\n\n\n<p><strong>Please indicate which three of the ten training courses listed above are required<\/strong> [applications that do not include this information will not be considered].<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Picture<\/li>\n\n\n\n\n<li>Three scores and the three corresponding recordings; good quality sound recordings are essential. Mock-ups are not accepted<\/li>\n\n<\/ul>\n\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/forms.gle\/X8rG9hJACYq2WJXc9\" target=\"_blank\" rel=\"noreferrer noopener\">access the registration form<\/a><\/div>\n\n<\/div>\n\n<\/div>\n\n<\/div><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\" id=\"modalitesinter\">Modalities of the interpreters&rsquo; course<\/h3><h4 class=\"wp-block-heading\">August 20 to 28, 2026 (interpreters)<\/h4><div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Target audience<\/h5>\n\n\n\n\n<p><strong>8 performers<\/strong>, detailed as follows:<\/p>\n\n\n\n\n<p>1 singer <br>1 conductor<\/p>\n\n\n\n\n<p>6 instrumentalists playing one of the following instruments:<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Strings (violin, viola, cello, double bass)<\/li>\n\n\n\n\n<li>Woodwinds and brass (flutes, clarinets, oboes, bassoons, horns, trumpets, trombones, tubas)<\/li>\n\n\n\n\n<li>Guitar<\/li>\n\n\n\n\n<li>Percussion<\/li>\n\n<\/ul>\n\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Procedure<\/strong> and method<\/h5>\n\n\n\n\n<p>&gt; upstream :<\/p>\n\n\n\n\n<p><strong>For composers and performers: <\/strong>videoconference sessions (1h\/1h30) will be organized regularly between November 2025 and July 2026. They will focus on understanding, conceiving and elaborating the overall form of the final work presented at the end of the Campus Voix Nouvelles; these sessions will take place in the alternating presence of the trainers. <\/p>\n\n\n\n\n<p>&gt; on site :<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li><a>August 20, 2026: work on contemporary repertoire \/ lectures \/ workshops<\/a><\/li>\n\n\n\n\n<li>August 21, 2026: work on contemporary repertoire \/ lectures \/ workshops<\/li>\n\n\n\n\n<li>August 22, 2026: rest<\/li>\n\n\n\n\n<li>August 23 to 26, 2026: work on contemporary repertoire \/ individual coaching by professional guest musicians<\/li>\n\n\n\n\n<li>August 27, 2026: final return of works of art<\/li>\n\n\n\n\n<li>August 28, 2026: final public renditions of the works<\/li>\n\n<\/ul>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Prerequisites and conditions of access to training<\/h5>\n\n\n\n\n<p>Be an artist in the field of music: singer, conductor, instrumentalist, with professional or pre-professional experience.<\/p>\n\n\n\n\n<p>Participants formally undertake to complete the entire course.<\/p>\n\n\n\n\n<h5 class=\"wp-block-heading\" id=\"duree\">Duration<\/h5>\n\n\n\n\n<p>Interpreters: from August 20 to August 28, 2026, including 1 rest day, i.e. 8 days (56 hours)<\/p>\n\n\n\n\n<h5 class=\"wp-block-heading\">Rates<\/h5>\n\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.royaumont.com\/en\/the-cultural-project\/professional-training\/pricing-conditions\/\">new voices training fees<\/a><\/div>\n\n<\/div>\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<h5 class=\"wp-block-heading\">Application<\/h5>\n\n\n\n\n<p>Pre-selection based on applications, then invitation to interview (week of November 3)<\/p>\n\n\n\n\n<p>Documents to be provided :<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Biography, 600 characters including spaces, in French and English<\/li>\n\n\n\n\n<li>CV and contemporary repertoire already covered<\/li>\n\n\n\n\n<li>Cover letter: highlighting skills and qualities, reasons for wanting to take part in Campus Voix Nouvelles, short ideas about the project, wishes for repertoires to be covered<\/li>\n\n\n\n\n<li>Picture<\/li>\n\n\n\n\n<li>Two video recordings of contemporary works<\/li>\n\n<\/ul>\n\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/forms.gle\/tynvcoxEk1WMf5DK8\" target=\"_blank\" rel=\"noreferrer noopener\">access the registration form<\/a><\/div>\n\n<\/div>\n\n<\/div>\n\n<\/div><h4 class=\"wp-block-heading\">Calendar (all courses combined)<\/h4><div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<p>Application deadline<br><strong>november 16, 2025<\/strong><\/p>\n\n\n\n\n<p>Pre-selection announcement<br><strong>december 1st, 2025<\/strong><\/p>\n\n\n\n\n<p>Individual interview by videoconference<br><strong>december 8, 2025<\/strong><\/p>\n\n\n\n\n<p>Final selection announced<br><strong>Week december 15, 2025<\/strong><\/p>\n\n\n\n\n<p>Date of first videoconference <br><strong>Week of january 12, 2026<\/strong><\/p>\n\n<\/div><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><p><em>All Royaumont Foundation training programs have a minimum lead time of 11 working days.<\/em><br><em>Example: if the Royaumont Foundation validates the registration request on June 14, it can offer the beneficiary a course starting on June 29.<\/em><\/p><div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><div class=\"wp-block-pb-accordion-item c-accordion__item js-accordion-item no-js\" data-initially-open=\"false\" data-click-to-close=\"true\" data-auto-close=\"true\" data-scroll=\"false\" data-scroll-offset=\"0\"><h3 id=\"at-939116\" class=\"c-accordion__title js-accordion-controller\" role=\"button\">Fiche programme<\/h3><div id=\"ac-939116\" class=\"c-accordion__content\">\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Prior to training<\/strong><\/td><td><strong>November 2025<\/strong><br><br><strong>Composers and performers<\/strong><br>Meeting between all<br>Campus Voix Nouvelles participants and tutors.<br>By videoconference.<br><br><strong>November 2025 to June 2026<\/strong><br><br><strong>Composers and performers<\/strong><br>Regularly scheduled group sessions to share and monitor work in progress, and to develop the form of final performances.<br>By videoconference.<br><br><strong>Between March and June 2026<\/strong><br><br><strong>Composers<\/strong><br>A one-hour individual lesson with Farnaz Modarresifar.<br>A one-hour individual lesson with Zad Moultaka.<br>By videoconference.<br><br><strong>Composers and performers<\/strong><br>One-to-one exchanges between composers and performers, while their work is being written.<br>By videoconference, e-mail or telephone.<br><br><strong>Between December 2025 and July 2026<\/strong><br><br><strong>Composers<\/strong><br>Composition of the work according to a precise timetable.<br>Self-study.<br><strong>Performers<\/strong><br>Choice of repertoire, personal work on works.<br>Personal self-study.<br><\/td><td>These sessions are led by the training coordinator and the supervisors.<br>Distance learning.<br><\/td><\/tr><tr><td><strong>Week 1<\/strong><\/td><td><strong>August 14, 2026<\/strong><br><br><strong>Composers<\/strong><br>Welcome of training participants: <br>&ndash; presentation of beneficiaries, supervisors, referents (pedagogical, administrative, logistical);<br>&ndash; presentation of premises; <br>&ndash; presentation of training program;<br>&ndash; reminder of target skills\/operational objectives.<br><br><strong>August 14 to 16, 2026<\/strong><br><br><strong>Composers<\/strong><br>Composers receive one-to-one tuition with composer supervisors (1 one-hour lesson per supervisor) and group tuition with composer supervisors (1 2.5-hour lesson per supervisor).<br><br><strong>August 17 and 18, 2026<\/strong><br><br><strong>Composers<\/strong><br>Each composer introduces herself to the other Campus Voix Nouvelles participants (background, approach, completed works, work in progress).<br><br><strong>August 19, 2026<\/strong><br><br>At ease.<br><br><strong>August 20, 2026<\/strong><br><br><strong>Interpreters<\/strong><br>Welcoming training participants: <br>&ndash; presentation of beneficiaries, supervisors, referents (pedagogical, administrative, logistical);<br>&ndash; presentation of premises; <br>&ndash; presentation of training program;<br>&ndash; reminder of target skills\/operational objectives.<br><br><strong>August 20 and 21, 2026<\/strong><br><br><strong>Composers and performers<\/strong><br><br>Lectures on the theme of Campus Voix Nouvelles, led by the educational advisor and outside contributors.<br><br>Workshops: communication (The art of self-presentation, management), led by the educational advisor and outside contributors.<br><br><strong>Performers<\/strong><br>Work on selected works from the contemporary repertoire.<br><br><strong>August 22, 2026<\/strong><br><br>Rest<\/td><td>This week is led by the educational advisor and supervisors.<br>Face-to-face.<\/td><\/tr><tr><td><strong>Week 2<\/strong><\/td><td><strong>August 23 to 27, 2026<\/strong><br><strong> <\/strong><br><strong>Composers<\/strong><br>Rehearsals of the composers&rsquo; works (2 x 2 hours per work).<br>Individual 20-minute interview with the course leader on their professional project.<br><br><strong>Performers<\/strong><br>Rehearsals of selected works from the contemporary repertoire.<br>Individual coaching by guest professional performers<br><br><strong>August 28, 2026<\/strong><br><br><strong>Composers and performers<\/strong><br>Final public performances of the works, with audiovisual recording.<\/td><td>This week is led by the educational advisor and supervisors.<br>Face-to-face.<\/td><\/tr><\/tbody><\/table><figcaption class=\"wp-element-caption\"><em>This standard schedule can be adapted to suit the needs of the course and the participants.<\/em><\/figcaption><\/figure>\n\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<p class=\"has-small-font-size\">version n&deg;1 dated 26\/06\/2025<br>Validity of version n&deg;1: 1 year renewable<\/p>\n\n\n\n\n<h4 class=\"wp-block-heading\">Course description\/content of the training<\/h4>\n\n\n\n\n<h4 class=\"wp-block-heading\">Number of traines minimum \/ maximum<\/h4>\n\n\n\n\n<p><strong>Lower limit:<\/strong> 10 composers \/ 8 performers<br><strong>Upper limit:<\/strong> 10 composers \/ 8 performers<\/p>\n\n\n\n\n<h4 class=\"wp-block-heading\">Educational objectives<\/h4>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Composers<\/strong><\/p>\n\n\n\n\n<p><strong>Knowledge<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Deepen theoretical knowledge of a specific repertoire.<\/li>\n\n<\/ul>\n\n\n\n\n<p><strong>Expertise<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Use technical specificities to create a new work and present the fruit of this work in public during the final performance.<\/li>\n\n<\/ul>\n\n\n\n\n<p><strong>soft skills<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Define your relationship with your origins and how this translates into your creative artistic approach.<\/li>\n\n\n\n\n<li>Find the best ways to share your artistic intentions and integrate the technical limitations of the performers into your writing process.<\/li>\n\n\n\n\n<li>Share your project with an audience during the final presentation.<\/li>\n\n\n\n\n<li>Be able to integrate into a team and participate actively and positively in the collaborative process.<\/li>\n\n\n\n\n<li>Know how to talk about your personal and artistic journey.<\/li>\n\n<\/ul>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Performers<\/strong><\/p>\n\n\n\n\n<p><strong>Knowledge<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Deepen theoretical knowledge of a specific repertoire.<\/li>\n\n\n\n\n<li>Improve technical, physical and gestural ease.<\/li>\n\n<\/ul>\n\n\n\n\n<p><strong>Expertise<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Use the technical specificities and extended techniques explored to create a new work and present the fruit of this work in public at the final performance.<\/li>\n\n<\/ul>\n\n\n\n\n<p><strong>soft skills<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Define your relationship with your origins and how this translates into your approach.<\/li>\n\n\n\n\n<li>Share your project with an audience during the final presentation.<\/li>\n\n\n\n\n<li>Be able to integrate into a team and participate actively and positively in the collaborative process.<\/li>\n\n\n\n\n<li>Know how to talk about your personal and artistic journey.<\/li>\n\n\n\n\n<li>Achieving the right interpretation in terms of ensemble practice.<\/li>\n\n\n\n\n<li>Take into account the spatial and acoustic configuration of the venue.<\/li>\n\n\n\n\n<li>Evaluate the quality of public relations.<\/li>\n\n<\/ul>\n\n<\/div>\n\n<\/div>\n\n\n\n\n<h4 class=\"wp-block-heading\">Targeted competencies \/ operational objectives<\/h4>\n\n\n\n\n<p>At the end of the training the beneficiary will be able to :<\/p>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Composers<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Composing a work in a given time ;<\/li>\n\n\n\n\n<li>Conceive a project collectively, and know how to take part in a joint reflection process by contributing proposals;<\/li>\n\n\n\n\n<li>Communicate about your career, your approach, your work;<\/li>\n\n\n\n\n<li>Communicate his\/her artistic intentions to the performers of his\/her work ;<\/li>\n\n\n\n\n<li>Receive and integrate suggestions from interpreters and supervisors and translate them into a personal language;<\/li>\n\n\n\n\n<li>Integrate the technical limits of interpreting as expressed by interpreters and supervisors.<\/li>\n\n<\/ul>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Performers<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Understanding the musical intentions of composers ;<\/li>\n\n\n\n\n<li>Conceive a project collectively, and know how to take part in a joint reflection process by contributing proposals;<\/li>\n\n\n\n\n<li>Suggest instrumental technical limits to composers.<\/li>\n\n<\/ul>\n\n<\/div>\n\n<\/div>\n\n\n\n\n<h4 class=\"wp-block-heading\">Methods used<\/h4>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Composers<\/strong><\/p>\n\n\n\n\n<p><strong>Teaching aids :<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Individual lessons (2 with each supervisor) ;<\/li>\n\n\n\n\n<li>Group lessons (2 with each supervisor) ;<\/li>\n\n\n\n\n<li>Group discussion sessions between composers, singers and supervisors;<\/li>\n\n\n\n\n<li>Individual discussion sessions between composers and performers before the works are handed over;<\/li>\n\n\n\n\n<li>Each composer presents his or her background, artistic approach and work;<\/li>\n\n\n\n\n<li>Collective management sessions (creation of an ensemble, contemporary music network&hellip;) ;<\/li>\n\n\n\n\n<li>Workshop rehearsals;<\/li>\n\n\n\n\n<li>Public presentations of final works, with audiovisual recording.<\/li>\n\n<\/ul>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Performers<\/strong><\/p>\n\n\n\n\n<p><strong>Pedagogical resources<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Individual and group coaching sessions;<\/li>\n\n\n\n\n<li>Rehearsals ;<\/li>\n\n\n\n\n<li>Each participant presents his or her artistic career;<\/li>\n\n\n\n\n<li>Public presentations of final work, with audiovisual recording.<\/li>\n\n<\/ul>\n\n<\/div>\n\n<\/div>\n\n\n\n\n<p><strong>Technical resources available :<\/strong><\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>Workrooms, equipped with desks and chairs.<\/li>\n\n\n\n\n<li>  Documentation via a private google drive.<\/li>\n\n\n\n\n<li>Composers will have access to a photocopier and will be provided with the materials needed to print their complete score and separate parts (paper, binders, cover).<\/li>\n\n\n\n\n<li>Performers will have access to a photocopier to print out their scores.<\/li>\n\n<\/ul>\n\n\n\n\n<h4 class=\"wp-block-heading has-large-font-size\">Monitoring and evaluation methods<\/h4>\n\n\n\n\n<p><strong>During the course, face-to-face<\/strong><\/p>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Composers<\/strong><\/p>\n\n\n\n\n<p>Assessment, through practical work, of the beneficiary&rsquo;s reactivity and ability to quickly integrate the proposals made by the facilitators, as well as his\/her ability to integrate into the group.<\/p>\n\n\n\n\n<p>The individual interview between the training manager and the beneficiary enables assessment and career guidance.<\/p>\n\n\n\n\n<p>In particular, the following are observed for the beneficiary :<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>the ability to conceive and produce a balanced, original work, using writing techniques or effects in a controlled and balanced manner ; <\/li>\n\n\n\n\n<li>the ability to communicate about their work, both during rehearsals and public presentations.<\/li>\n\n\n\n\n<li>initiative, driven by common interest and collaborative research.<\/li>\n\n<\/ul>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\"><strong>Performers<\/strong><\/p>\n\n\n\n\n<p>Assessment, through practical work, of the beneficiary&rsquo;s reactivity and ability to quickly integrate the proposals made by the facilitators, as well as his\/her ability to integrate into the group.<\/p>\n\n\n\n\n<p>In particular, the following are observed for the beneficiary :<\/p>\n\n\n\n\n<ul class=\"wp-block-list\">\n<li>the quality of the body and gestural ease ;<\/li>\n\n\n\n\n<li>the accuracy of the interpretation and the work accomplished in terms of ensemble practice ;<\/li>\n\n\n\n\n<li>the consideration of the spatial and acoustic configuration of the venue ;<\/li>\n\n\n\n\n<li>the quality of the relationship with the public.<\/li>\n\n<\/ul>\n\n<\/div>\n\n<\/div>\n\n\n\n\n<p>The beneficiaries sign a sign-in sheet for each half-day.<\/p>\n\n\n\n\n<p><strong>At the end of training<\/strong><\/p>\n\n\n\n\n<p>The beneficiary receives a certificate at the end of the training course, stating the objectives, nature and duration of the action, as well as the results of the assessment of the training acquired, along with the certificate where applicable.<\/p>\n\n\n\n\n<h4 class=\"wp-block-heading\">Qualitative assessment methods<\/h4>\n\n\n\n\n<p>The beneficiary fills in a qualitative evaluation form to assess the artistic, pedagogical, human and material aspects of the training.<br>A post-training follow-up is established, for which beneficiaries are asked to inform us within six months of the end of the training of any contracts they have obtained.  <\/p>\n\n\n\n\n<h4 class=\"wp-block-heading\">Accessibility and consideration of disability situations<\/h4>\n\n\n\n\n<p>The Royaumont Foundation has made the acceptance and participation of people with disabilities a strong commitment to its project. Our training courses are open to people with disabilities and different arrangements can be made according to the specificities of each course. To discuss your needs, please contact us when you register, or get in touch with our disability advisors.<\/p>\n\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\">\n\n\n\n\n<p class=\"has-large-font-size\"><strong>Contact<\/strong><\/p>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Pedagogical manager<\/strong><\/p>\n\n\n\n\n<p>Jean-Philippe Wurtz, Artistic Director, P&ocirc;le<em>Cr&eacute;ation Musicale<\/em><br><a href=\"mailto:jp.wurtz@royaumont.com\">jp.wurtz@royaumont.com<\/a><\/p>\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<p><strong>Administrative manager<\/strong><\/p>\n\n\n\n\n<p>Samuel Agard, administrator and advisor to the P&ocirc;le<em>Cr&eacute;ation musicale<\/em><br><a href=\"mailto:s.agard@royaumont.com\">s.agard@royaumont.com<\/a><\/p>\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<p><strong>Logistics referent<\/strong><\/p>\n\n\n\n\n<p>Claire Simon, Production Manager, Musical Creation Department<br><a href=\"mailto:c.simon@royaumont.com\">c.simon@royaumont.com<\/a><\/p>\n\n<\/div>\n\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Disability referents<\/strong><\/p>\n\n\n\n\n<p>Samuel Agard and Doriane Trouboul<br><a href=\"mailto:referenthandicap@royaumont.com\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">referenthandicap@royaumont.com<\/a><\/p>\n\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<p><strong>VHSS Referent<\/strong><\/p>\n\n\n\n\n<p>Human Resources Manager<br><a href=\"mailto:vhss@royaumont.com\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">vhss@royaumont.com<\/a><\/p>\n\n<\/div>\n\n<\/div>\n\n<\/div><\/div><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\">They&rsquo;re talking about Campus Voix Nouvelles<\/h3><section class=\"template template-card-gallery\">\n  <div class=\"container-lg\">\n    <div class=\"template-card-gallery__title\">\n      <h2 class=\"template__title\"><\/h2>\n    <\/div>\n\n          <div class=\"gallery\">\n                  <div class=\"gallery__slide\">\n                            <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/verbatim-AVNPersonnalisees-H1.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"\">\n                <\/div>\n                          <\/div>\n                  <div class=\"gallery__slide\">\n                            <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/verbatim-AVNPersonnalisees-H12.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"\">\n                <\/div>\n                          <\/div>\n                  <div class=\"gallery__slide\">\n                            <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/verbatim-AVNPersonnalisees-H13.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"\">\n                <\/div>\n                          <\/div>\n              <\/div>\n      <\/div>\n<\/section><div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><h3 class=\"wp-block-heading\">Campus Voix Nouvelles in pictures<\/h3><section class=\"template template-video-gallery\">\n  <div class=\"container-lg\">\n    <div class=\"template__header\">\n      \n    <\/div>\n          <div class=\"gallery-wrapper\">\n        <div class=\"gallery \">\n                                                    <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"KP3PGHWXz34\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"rfRC8eJVz68\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"sh4ZeC0BRrs\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"Qu0I660iKYU\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"3y_I3AZYrwk\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"TxtliJssJ4c\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"0dk9ThshDcw\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"_psTx1lq3oQ\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"FnTGVqTrHCQ\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"zpmXfr4b6gk\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"uIlzZ0L8Ibc\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                                                              <div class=\"gallery__slide\">\n                  <figure>\n                    <div class=\"youtube_player\" videoid=\"4gZh6h5y3PU\" width=\"640\" height=\"360\"><\/div>\n                  <\/figure>\n                                  <\/div>\n                                            <\/div>\n\n                  <div class=\"captions\">\n                                                            <div class=\"captions__item active\">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/KP3PGHWXz34\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Schablonen\" de Kroot-K&auml;rt Kaev'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Schablonen&rdquo; de Kroot-K&auml;rt Kaev<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/rfRC8eJVz68\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Op Op CCC Variations\" de Th&eacute;o M&eacute;rigeau'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Op Op CCC Variations&rdquo; de Th&eacute;o M&eacute;rigeau<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/sh4ZeC0BRrs\/hqdefault.jpg\" alt=\"[Concert] Acad&eacute;mie Voix Nouvelles - &quot;Au regard de Prismes - Ma d&eacute;raison d'&ecirc;tre&quot; de Maxime Mantovani\"><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Au regard de Prismes &ndash; Ma d&eacute;raison d&rsquo;&ecirc;tre&rdquo; de Maxime Mantovani<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/Qu0I660iKYU\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Mycelium\" de Nathaniel Otley'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Mycelium&rdquo; de Nathaniel Otley<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/3y_I3AZYrwk\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Futile\" de Jieun Jeong'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Futile&rdquo; de Jieun Jeong<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/TxtliJssJ4c\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Plan &agrave; vol de corbeau, po&egrave;me n&deg;1\" de Jinwook Jung'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Plan &agrave; vol de corbeau, po&egrave;me n&deg;1&rdquo; de Jinwook Jung<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/0dk9ThshDcw\/hqdefault.jpg\" alt=\"[Concert] Acad&eacute;mie Voix Nouvelles - &quot;Anamu alla al'hajiri al'natayi&quot; de Rachel C. Walker\"><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Anamu alla al&rsquo;hajiri al&rsquo;natayi&rdquo; de Rachel C. Walker<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/_psTx1lq3oQ\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Tesserae\" de Jia Yi Lee'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Tesserae&rdquo; de Jia Yi Lee<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/FnTGVqTrHCQ\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Presencia de sombra\" de Jonatan Sersam'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Presencia de sombra&rdquo; de Jonatan Sersam<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/zpmXfr4b6gk\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Presencia de sombra\" de Jonatan Sersam'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Presencia de sombra&rdquo; de Jonatan Sersam<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/uIlzZ0L8Ibc\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Vaguelettes en r&eacute;manence\" de Sungwon Shin'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Vaguelettes en r&eacute;manence&rdquo; de Sungwon Shin<\/figcaption>\n                  <\/div>\n                                                                                          <div class=\"captions__item \">\n                    <figure><img decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/4gZh6h5y3PU\/hqdefault.jpg\" alt='[Concert] Acad&eacute;mie Voix Nouvelles - \"Gone in no time\" de Myrto Nizami par Marie Ythier'><\/figure>\n                    <figcaption>[Concert] Acad&eacute;mie Voix Nouvelles &ndash; &ldquo;Gone in no time&rdquo; de Myrto Nizami par Marie Ythier<\/figcaption>\n                  <\/div>\n                                                    <\/div>\n              <\/div>\n      <\/div>\n<\/section><div style=\"height:83px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><p><a href=\"https:\/\/fondation.societegenerale.com\/fr\/fondation\" target=\"_blank\" rel=\"noreferrer noopener\">Fondation d&rsquo;entreprise Soci&eacute;t&eacute; G&eacute;n&eacute;rale<\/a> is the main sponsor of the Royaumont Foundation&rsquo;s musical programs.<br>As a long-standing partner of Royaumont, <a href=\"https:\/\/www.sacem.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sacem<\/a> supports the Foundation&rsquo;s P&ocirc;le <em>Cr&eacute;ation musicale <\/em>.<br>With the support of the Comit&eacute; Henry Go&uuml;in.<br>With the support of the Association des Amis de Royaumont.<br>Christine Jolivet Erlih and Mich&egrave;le Gagliano support commissions for original musical works by young composers.<\/p><div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2024\/02\/aline-foriel-destezet_logo-version-rose-2000x327.png\" alt=\"Logo Aline Foriel-Destezet\" class=\"wp-image-87984\" style=\"width:220px\"><\/figure>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/fondation.societegenerale.com\/fr\/fondation\" target=\"_blank\" rel=\" noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2024\/08\/SOC_FE_103.png\" alt=\"\" class=\"wp-image-91544\" style=\"width:220px;height:auto\"><\/a><\/figure>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/www.sacem.fr\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-dominant-color=\"f0cfd8\" data-has-transparency=\"false\" loading=\"lazy\" decoding=\"async\" width=\"1406\" height=\"879\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2023\/09\/SACEM_HD-edited.jpg\" alt=\"SACEM logo\" class=\"wp-image-84431 not-transparent\" style=\"--dominant-color: #f0cfd8; width:220px\" srcset=\"https:\/\/www.royaumont.com\/content\/uploads\/2023\/09\/SACEM_HD-edited.jpg 1406w, https:\/\/www.royaumont.com\/content\/uploads\/2023\/09\/SACEM_HD-edited-mailrose-medium.jpg 300w\" sizes=\"auto, (max-width: 1406px) 100vw, 1406px\" \/><\/a><\/figure>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"126\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2015\/06\/web-Sacem-Copie-privee-300.jpg\" alt=\"Sacem copie priv&eacute;e logo\" class=\"wp-image-34236\" style=\"width:220px;height:auto\"><\/figure>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img data-dominant-color=\"d7d4d2\" data-has-transparency=\"false\" loading=\"lazy\" decoding=\"async\" width=\"102\" height=\"200\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2022\/05\/logo-comite-henry-gouin-web200.jpg\" alt=\"Comit&eacute; Henry Gouin logo\" class=\"wp-image-74427 not-transparent\" style=\"--dominant-color: #d7d4d2; width:91px;height:auto\"><\/figure>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<div style=\"height:100px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-e1bb55cb\"><\/div>\n\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"762\" height=\"216\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2020\/09\/logo_amisder_2017_quadri-web762.jpg\" alt=\"Association des amis de Royaumont logo\" class=\"wp-image-36922\" style=\"width:220px\" srcset=\"https:\/\/www.royaumont.com\/content\/uploads\/2020\/09\/logo_amisder_2017_quadri-web762.jpg 762w, https:\/\/www.royaumont.com\/content\/uploads\/2020\/09\/logo_amisder_2017_quadri-web762-300x85.jpg 300w\" sizes=\"auto, (max-width: 762px) 100vw, 762px\" \/><\/figure>\n\n<\/div><div style=\"height:76px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div><figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2022\/01\/LogoQualiopi-150dpi-AvecMarianne.png\" alt=\"\" class=\"wp-image-70144\" style=\"width:280px\"><\/figure><p><a href=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/02\/Certificat-Qualiopi-ABBAYE-DE-ROYAUMONT.pdf\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Certificat Qualiopi Royaumont <br>(en t&eacute;l&eacute;chargement)<\/a><\/p><section class=\"template template-card-gallery\">\n  <div class=\"container-lg\">\n    <div class=\"template-card-gallery__title\">\n      <h2 class=\"template__title\">Royaumont Campus 2026<\/h2>\n    <\/div>\n\n          <div class=\"gallery\">\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"405\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2024\/10\/2000px_formation-melodie-cras-duparc-2024-Stephane-Degout-Virgile-Roche-Thais-Rai-Westphal-par-Olivier-Ouadah-Fondation-Royaumont-575-405x405.jpg\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"Le campus royaumont : nouvelles formations\" srcset=\"https:\/\/www.royaumont.com\/content\/uploads\/2024\/10\/2000px_formation-melodie-cras-duparc-2024-Stephane-Degout-Virgile-Roche-Thais-Rai-Westphal-par-Olivier-Ouadah-Fondation-Royaumont-575-405x405.jpg 405w, https:\/\/www.royaumont.com\/content\/uploads\/2024\/10\/2000px_formation-melodie-cras-duparc-2024-Stephane-Degout-Virgile-Roche-Thais-Rai-Westphal-par-Olivier-Ouadah-Fondation-Royaumont-575-150x150.jpg 150w, https:\/\/www.royaumont.com\/content\/uploads\/2024\/10\/2000px_formation-melodie-cras-duparc-2024-Stephane-Degout-Virgile-Roche-Thais-Rai-Westphal-par-Olivier-Ouadah-Fondation-Royaumont-575-680x680.jpg 680w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\">\n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Revenir aux formations<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/campus-le-laboratoire-choregraphique\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/campus2026-danse-laboratoire-choregraphique-choregraphes-auteurs-interpretes.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"Formation en &eacute;t&eacute; pour les artistes chor&eacute;graphes performers auteurs interpr&egrave;tes &agrave; l'abbaye de Royaumont\">\n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Campus La Laboratoire chor&eacute;graphique #5<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/campus-chanteur-compositeur-intrumentistes-musiques-transculturelles\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/campus2026-formation-ete-musique-transculturelle-instrumentiste-interprete-compositeur-compositrice-1.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"Formation d'artistes en &eacute;t&eacute;, en musiques transculturelles, destin&eacute;e aux interpr&egrave;tes, instrumentistes\">\n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Campus Musiques transculturelles<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/campus-musique-medievale\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  \n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Campus M&eacute;di&eacute;val<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/campus-lied-et-melodie-piano-voix\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/campus2026-formation-ete-lied-melodie-piano-chanteur-chanteuse-voix.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"Formation piano-voix &eacute;t&eacute; 2026 pour des duos de chanteurs, chanteuses et pianistes\">\n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Campus Lied et M&eacute;lodie<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n                  <div class=\"gallery__slide\">\n                          <a href=\"https:\/\/www.royaumont.com\/projet-culturel\/formations-artistes\/campus-le-couronnement-de-poppee\/\" target=\"\">\n                                <div class=\"gallery__slide--image\">\n                  <img loading=\"lazy\" decoding=\"async\" width=\"1\" height=\"1\" src=\"https:\/\/www.royaumont.com\/content\/uploads\/2025\/07\/campus2026-unite-scenique-mosher-leiser-patrice-caurier-formation-chanteurs-chanteuse-opera.webp\" class=\"attachment-mosaic-carre size-mosaic-carre\" alt=\"Formation en op&eacute;ra pour chanteurs et chanteuses dans le Val d'oise, avec Moshe Leiser et Patrice Caurier\">\n                <\/div>\n                                  <div class=\"gallery__slide--content\">\n                    <div class=\"gallery__slide--content-title\">Campus Couronnement de Popp&eacute;e<\/div>\n                  <\/div>\n              <\/a>\n                      <\/div>\n              <\/div>\n      <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Composing and playing with roots For composers and performers Period August 14 to 28, 2026 August 14 to 28, 2026 [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":100355,"parent":78986,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-93911","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Composer training | summer 2026<\/title>\n<meta name=\"description\" content=\"Composers and performers can apply for the Campus Voix nouvelles training program, for the summer 2026 session.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.royaumont.com\/en\/the-cultural-project\/training-courses\/academie-voix-nouvelles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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