Training 2023

The professional training workshops prepared by the Vocal and Repertoire department hereby presented will enable artists to build their very own career path: advice and support, organisation of concerts outside of Royaumont, opera coproductions for young singers, auditions before programmers, orchestras and ensembles.

14 training courses are on offer based on medieval music, melody and lied, vocal polyphony and opera. Coached by the greatest specialists of the repertoire to be studied, each session will notably put the musical works into perspective with other disciplines: literature, philosophy, the history of art and heritage.

Relationships created with further education establishments (CNSMDP, Université de Paris Sorbonne, CNDC d’Angers,…) and research establishments (EHESS, CNRS, IREMUS,…) allow us to associate those who practice music and dance with researchers in humanities and social sciences.

The Festival de Royaumont concerts, as well as the partnerships with numerous performing arts venues (festivals, opera houses, national theatres, orchestras and ensembles) offer our laureates opportunities and, more widely, the artists that the Royaumont Foundation supports

2022 – 2023 training

Initiation to vocal medieval music

For 8 singers, 1 flutist, 1 vielist
By Marc Mauillon, Thibault Mihelich

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Orsay-Royaumont Academy 2022-2023

For 4 duos constitués chanteur/pianiste
By Dorothea Röschmann et Burkhard Kehring, Karine Deshayes et Hélène Lucas, Christoph Prégardien et Ulrich Eisenlohr, Véronique Gens et Susan Manoff

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Improvement of medieval vocal practice

For 10 chanteurs et instrumentistes (luth, vièle, organetto)
By Patrizia Bovi

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Dramatic and musical interpretation workshop : Mozart's magic flute

For 12 chanteurs, 2 pianistes chefs de chant, 1 assistant à la mise en scène
By Jean-François Sivadier, Emmanuel Olivier

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Orsay-Royaumont Academy 2022-2023

For 4 duos piano / chant
By Matthew Rose et Brian Zeger, Stéphane Degout et Simon Lepper, Véronique Gens et Susan Manoff, Anne Sofie Von Otter et Kristian Bezuidenhout

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Melody and chamber music workshop : Vienna 1900

For 5 chanteurs, 5 pianistes, 2 quatuors à cordes
By Chistian Immler, Franck Chevalier, Andreas Frese

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Italian baroque polyphonies

For 5 à 7 chanteuses ou chanteurs, 6 à 8 instrumentistes (claviers, théorbe et/ou harpe, violes, flûtes et/ou cornets, violons)
By Geoffroy Jourdain

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Opera in library : french catatas by Bernier

For 6 chanteurs (3 dessus, 2 haute-contres, 1 basse), 8 instrumentistes (2 violons, 2 flûtes, 2 clavecinistes, 2 basses d’archet)
By Stéphane Fuget, Claire Leffilliâtre

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Orfeo, opera by Sartorio

For  10 chanteurs, 1 claveciniste, 1 assistant à la mise en scène, 1 assistant à la direction musicale, 2 sopranos, 2 mezzo-sopranos, 2 contre-ténors,, 2 ténors, 1 baryton ou baryton-basse, 1 baryton-basse pouvant danser
By Philippe Jaroussky, Benjamin Lazar, Brice Sailly

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Tuitions charges

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Registration

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Previous training

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La Fondation Bettencourt Schueller est le mécène principal du Pôle Voix et Répertoire de la Fondation Royaumont. 

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